Monday, December 30, 2013

The Monologue [Ep 12-16]: The Queen's Classroom


There were many things I wanted to write about after watching The Queen’s Classroom till the end but lazily putting off the post about the final five episodes has made my memory weak. I’m literally skipping fragments of the episodes while writing this and some of what I wanted to say are fortunately coming back. ...Something about character development, social issues, adolescence anxiety and farewells.

My appetite for dramas has dwindled quite a bit, even though I wasn’t exactly an avid watcher before, I used to keep up with the network releases and checked a lot of them out. I’ve only watched a few till the end this year along with this one, Good Doctor, I Hear Your Voice, That Winter, The Wind Blows and the wishy-washy Heirs... Actually, that’s quite a lot!! I underestimated quite a bit, haha. Anyways, currently watching You From Another Star, and just loving Jeon Ji-hyun’s character and acting.

Back to the awesomeness that was The Queen’s Classroom.


Sunday, August 4, 2013

The Conversation [Ep 7-12]: Talking About The Queen's Classroom with Analogueblues


Since our last exchange or review on The Queen’s Classroom, there's been a lot more developments than before and this post as always, strives to come full circle on those turn of events. At this point, the unexpected story-line and behavior has managed to become habitual. As a viewer, this familiarity offers rare insights into the thoughts of the characters and the situations they face.

As always, Analogueblues has agreed kindly to join me as we try our best to explore the drama. For the delay in posting, I apologize and even though the final episode of The Queen’s Classroom has already aired, looking back at a show as profound as this one should be the one splurge of the moment every blogger wishes for. Watching the show with a new lens, I found a special appreciation for its cinematography and superb writing. I report with pleasure that the new episodes did not disappoint and went a long way in making the overall significance of the drama more powerful.

Wednesday, July 3, 2013

The Conversation [Ep. 1-6]: Talking About The Queen's Classroom with Analogueblues


Recently, I started following a Korean drama titled The Queen’s Classroom, a remake of a Japanese drama by the same name. It recently aired its sixth episode and in total will consists of 16 episodes. It has captured my interests to a degree similar to Gaksital and That Winter, The Wind Blows. It is one of the two dramas I am currently watching, both of them excellent, the other one being I Hear Your Voice.
Without further ado, I would like to introduce you all to a special guest who has traveled across the blogosphere to lend her time to this special conversation. Blogger Analogueblues from the fabulous blog linked [here] and I will be sharing our thoughts on the first six episodes of The Queen’s Classroom, trying our bests to delve deep into its themes, characters and the meaning behind it all.

For those curious, we hope to reconvene in the future to publish two additional posts, covering Ep. 7-12 and Ep. 13-16. I hope that all of you will enjoy our posts and feel the sheer joy I felt during this collaboration with Analogueblues, who graciously dedicated her time and made this collaboration truly enjoyable.

Sunday, May 5, 2013

Experience the Best of BIGBANG Instrumentals

The evolution of the instrumentals tell a telling story. In their olden days, most Big Bang's songs were on the tougher side and it was expected, the company and the act itself was trying to distinguish its music from the other existing companies. In the idol scene, it catapulted the lesser known genres mainstream. After establishing its own specific musical style, the producers within YG have for the last couple of years been experimenting and the change has been refreshing. The new direction is exemplified perfectly by BIGBANG's Alive and 2NE1's 2nd Mini Album, both albums were one of the premier pop releases in its year and delved into other genres and stepped out of the established safety zone and secured spots atop the greatest.




Why am doing posting only the instrumentals of Big Bang? I admit I am a fan of their music but it has much to do with accessibility. First, as far I know, only YG releases their instrumentals, acapellas and recorded music for their album releases through the online market. The other companies usually only release instrumentals for the title track and don't even bother with the acapellas, but you can find some almost perfect user-generated audios on YouTube for the specific artist you might be interested in. Second, a user on YouTube has dedicated a channel with YG official instrumentals/acapellas/music recorded posted after buying it from yg-music.net. For me, the YG instrumentals have a character of their own and its really the attention to detail that makes it exceptional.

Shout out to and many thanks to the user who posted all the following on Youtube - muffingalzz3
Sit back, relax and enjoy!

Saturday, April 13, 2013

[Album Review] Lee Hi 'First Love'

The worst thing you can do after taking a listen to Lee Hi's debut album is call the arrangements lazy. But what you will or might have already done so is call many of the songs boring. On one hand, you are diminishing the foundational basis of the composition while the other is simply a reflection of your musical preferences, albeit limited in range. The sounds of each track in the album musically collide to show the colors of its many respective composers (Choice37, Teddy, Lydia Paek, Tablo, Realmeee, etc). It's fair to say that there hasn't been an album such as this one where one can abstractly decipher each composer's bread and butter by listening to each one's interpretation of the R&B & Soul genre. As it is with interpretations, there are some clear flaws but the production is far and above anything we've heard in awhile that it overcomes those flaws and exceeds normal listen-ability while going beyond its specific genre without diminishing it. Lee Hi sounds better than ever and the soft methodical tones tug at your heart. The sounds of the album are much more subdued than 1.2.3.4 but still manage to make a strong statement.

Overall, all the tracks complement each other highly and go well with each other. The only regrettable aspect of the album is that the intro and the two title tracks, in terms of grandeur, overshadow many of the other compositions that are much truer to the modern blues form. It's truly a shame they won't be appreciated as much. The heart & soul of the album exists in its true form in the other tracks. There is widespread depth in the arrangements and Lee Hi's vocals that make the album a standout. What's highly admirable is the meticulous restraint the YG producers show in keeping the excess elements of pop mainly out of this album. That's not saying that everything's perfect but for an album in a saturated field, it comes pretty close.